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Home > Magazine Archives > July/August 2006 > Fathers and Sons, Part 1
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Fathers and Sons, Part 1
The cigar industry owes much of its creativity and longevity to the unique partnerships between father-and-son cigarmakers
By David Savona
Like many father-and-son teams, Julio and Christian Eiroa work together to bring their family's
business to life. Thanks to their diligent efforts, their Camacho brand is a fixture in cigar
shops across the United States. But it's not the smoothest business relationship. The Eiroas
butt heads often. And the arguments go beyond differences of opinion on basic strategythey don't
even like the same cigars. "We disagree all the time," says Julio, Christian's 67-year-old
father. He's sporting the type of world-weary gaze worn by exasperated fathers the world over, men who are often flummoxed by the ideas of their sons. Across the desk, Christian smiles, more than a hint of mischief gleaming in his dark eyes.
The relationship between fathers and sons is one of the cornerstones of the cigar industry. The art of crafting great cigars by hand, the secrets of coaxing the impurities out of tobacco and the magic of trying to understand the delicate workings of nature aren't things that can be learned from a textbook. Knowledge is handed down person-to-person, from master to apprentice, and very often the father is the master teaching the lessons he has learned and passing them on to his own blood, most often his son. It's a practice steeped in tradition.
Many of the world's best-known premium cigar brands have a father-son team behind them, including Arturo Fuente, Padrón, Ashton, Davidoff, Camacho, C.A.O., Te-Amo and Cuesta-Rey.
"This industry is divided into two: the big two companies, and the rest are families. And in 90 percent of those families, historically it has been fathers and sons," says Carlos Toraño, who makes Toraño cigars with his son, Charlie. "It is beautiful."
We've profiled many of the great father-and-son teams in the past, but for the first time we've decided to focus not so much on how they make their cigars or grow their tobacco, but how they interact with each other. How does a son handle the pressure of walking in the footsteps of a legend? How does a father pass on what he knows to his son? And how do the two of them work together, day in and day out, often bringing very different perspectives to the same business?
The cigar world is vast, and there were too many people to cover in one story, so we broke it into two parts. The second part will appear in the next issue.
JULIO AND CHRISTIAN EIROA
Julio and Christian Eiroa aren't the first father-son team to disagree over how to run the family
business. But the main players in Camacho Cigars Inc. and Tabacos Ranchos Jamastran are likely the
only cigarmakers in the world rooting against their own products.
"We have a bet," says Christian, over the performance of two selections in the Camacho line. Julio
likes the Camacho Select, a cigar made with a Cameroon wrapper that debuted in early May. His
son's favorite is the more high-powered Camacho Corojo.
"In the first 12 months, whoever sells more, wins. That's the bet. Camacho Select versus Camacho
Corojo," says Christian with a chuckle.
The two won't disclose the terms of the bet, but each is serious about the outcome. Pride is at
stake. The elder Eiroa, who lives in Honduras and runs Camacho's tobacco growing and cigar-making
operation, known as Tabacos Ranchos Jamastran, made the Camacho Select blend his way, kept the
packaging Spartan and closed his ears to input from his son.
"When the old man first made a sample, I said, 'Dad'"Christian makes a motion in the air, showing
how his father cut him off. "He said, 'No. This is my baby.'"
The good-natured ribbing got a bit heated last Christmas. Julio left Miami angry and early, flying
back to Honduras.
Julio is not apologetic about being at odds with his son on occasion. "I don't like full-bodied
cigars," he says. "They're too strong for me. I always go for the cigar that you can smoke five or
10 cigars a day."
Julio is Camacho's patriarch, a 67-year-old with a stubborn personality honed by decades of doing
things his own way. He used to own, a small plane, which he would fly around Honduras, but a crash
in 1977 nearly ended his life. It robbed him of some of his freedom, leaving him partially
paralyzed.
"When I got in the accident, I was by myself, and then everything went down. There was nobody to
follow me," he says. Christian was only five years old. "I got out of tobacco for a few years.
When I got back, I started hiring Cubans from Cuba. It was a disaster."
Upset with how others were running his operations, Julio eventually reduced the amount of tobacco
he planted and took a greater role in the growing. He now says he is getting nearly the same yield
from far fewer plants. And he continues to be a perfectionist when it comes to the quality of the
leaf. "Two years ago, I burned $2 million worth of tobacco, bale by bale," says the elder Eiroa.
He didn't like it, and wanted to rid himself of the temptation to turn it into cigars.
Christian, 34, is stubborn in his own right. When he joined the family business in 1995, his
father didn't want him buying tobacco from overseas, but he began buying it anyway, realizing it
was the only way the company could grow. "I got lines of credit from the bank, and I just started
buying tobacco. He didn't know what was going on," says Christian. "So there was always a
difference in perception
there has always been a certain conflict."
Christian didn't want to work with his father. "Family businesses are always hard. It's never
easy," he says. The situation proved too difficult for his older brother, Justo, who left the
family business to work in the bottled-water industry. "They couldn't get along," says Christian.
"Too many arguments."
Christian, a big, outspoken man with a sharp sense of humor, has the personality to match his
father's confidence. "There are a lot of silent treatments before the launch of each brand," says
Christian. Julio has been known to yank a product or change speed at the 11th hour, often spoiling
Christian's distribution plans. He sometimes hides tobacco in Honduras, to throw Christian off
when he visits.
"As competitive as our industry has become," says Christian, "speed to market is a big issue, and
I think that causes a lot of our problems. He'll say it'll be ready in June, then I have to pull
back the reins; everything has to come to a stop again. It drives me crazy."
Each Eiroa is confident he will win the bet. "My cigar is going to be selling 90 percent, and
you're going to be 10 percent," says Julio.
Despite the good-natured ribbing, each sees the value of the other in the business. "He's a hell
of a salesman," says Julio of his son. "We love the business, we work hard. But I tell him, he
sells the first cigar, but then the cigar has to sell itself."
Christian tries to return the favor by describing his father's dedication to the craft of farming
tobacco, sharing the story of how Julio was able to grow fine leaves on a patch of rocky, desolate
soil that others had abandoned.
"There's this field, this patch of land we have on the farm that basically everybody had given up
on. It's a
"
Julio cuts him off. "I always say," says Julio, "you need the climate, No. 1
"
Christian smiles as his dad speaks. "Let me finish," he says with
a grin.
CANO AND TIM OZGENER
The many brands that make up the C.A.O. International Inc. portfolio are named for founder Cano A.
Ozgener, whose initials grace what has become one of the more familiar cigar brands in the world.
Ozgener's son, Tim, is a major contributor to the company's identity, which revolves around hip
marketing and a dedication to quality. The two work well together, in a convivial attitude of good
humor and respect for the other's opinion, but it's a relationship that doesn't always follow the
typical father-son dynamic.

| "What's fun about the relationship is it sets the whole mood for the office," says Micky Pegg, the
national sales manager of C.A.O. They have "three distinctly different relationships: father-son,
boss-employee and brother-brother. The energy between all those, everyone sees it."
The two are an unlikely pair of cigarmakers, headquartered in an unlikely place to find a cigar
company: Nashville, Tennessee. Cano is a quiet, reserved man, a former DuPont engineer who entered
the tobacco business by inventing a new way to craft meerschaum pipes. Tim is an outgoing
funnymanhe once was a stand-up comicwho can easily entertain a room.
"We have very different backgrounds," says the elder Ozgener, sitting at his luxurious new
conference table in his recently renovated offices, which features a Zen garden used for
reflection. "I am a mechanical engineer, he is an actor. He comes from an artistic background, I
come from a scientific background. That's a very good mix." The 69-year-old smiles, looking like a
man who is happy with his life and at ease with his surroundings, despite having recently
undergone a stem-cell procedure to treat non-Hodgkin's lymphoma, which is now in remission. He is
in high spirits.
Tim and his sister, Aylin (pronounced Eileen), started working with their father in a very humble
way, helping out with his pipe business when he still worked full-time at DuPont. "My sister and I
would come home from school, and [Dad] would say, 'Roll up your sleeves and dunk your hands in the
Sweet and Clean,'" says Tim, 36, referring to a blue liquid Cano developed for cleaning pipes.
Ozgener, always a pragmatist, found it much quicker to have his children dunk bottles directly
into the solution rather than filling up each bottle from the tap at the bottom of the jar.
The pipe business was the start of C.A.O., but it was an expansion into cigars that made the
company boom. In the mid-1990s, when Tim was out in California trying to get his break in comedy,
he needed a second job to pay the bills. "My dad said, 'Instead of waiting on tables, why don't
you visit tobacconists?'" California was a major market, and Tim dropped in on shop owners to get
feedback on the burgeoning C.A.O. cigar, at the time the company's only cigar brand.
"Back then we had a cigar that wasn't lighting the world on fire," says Tim of the Honduran
smokes. "One box would be green, the other brown." As with many companies having cigars made under
contract during the cigar boom, C.A.O. had consistency problems.
The Ozgeners built on that early cigar experience. "We don't come from a cigar background. We had
to learn the hard way [and] we learned from the best," says Cano.
Key to their success was making themselves the face of their brands and turning their name into
one that smokers recognized. "We stumbled into the family aspect for C.A.O.," says Cano. Chicago
retailer Diana Silvius-Gits told them they should push the family angle, and the Ozgeners three
now adorn the ads for C.A.O.
The ads are not typical. Devoid of factory or field shots, the only cigars shown are being smoked
by the family members, and no one stands around tobacco bales. The Ozgeners are the focus, and
they look hip. In one ad, Tim, who has a shaved dome and a grizzly goatee, is scowling over a
C.A.O. that he is setting alight, his father smirking by his side, his 34-year-old sister decked
out in Goth-style makeup. In another, the three are wearing leather jackets.
"I give a lot of credit to my son and daughter, who sometimes kick me in the shin to wake me up
and take me in directions I wouldn't always go," says Cano.
One route Tim got his father to follow was making the C.A.O. Brazilia, which Tim says "was
probably the breakthrough in our relationship." The cigar broke a few cigar industry rules: first,
it employed green as a part of the label, which has long been frowned upon, and it trumpeted the
Brazilian wrapper on the cigar, which was hardly a selling point. "My dad [prefers] to be safe,"
says Tim.
"I have to have an open mind, and follow the artist rather than the engineer," says Cano, speaking
in the slow, deliberate tones of a man who practices yoga on a daily basis. "Our demographic is
younger. I liked [Brazilia] very much. I wouldn't have thought of it myself."
"He comes from a young perspective," Cano says of his son. "I respect that. Fifty percent of the
time we don't agree, but when we come to a consensus we are 100 percent together."
CESAR AND DAVID BLANCO
Cesar and David Blanco began selling their Los Blancos cigars brand at the Retail Tobacco Dealers
of America trade show in 1999. It was the start of the post-cigar-boom world, not the easiest time
to enter the cigar business, but the Blancos had some connections: family members had married into
the Plasencia and Oliva tobacco-growing families. The Blancos entered a difficult business with
what they thought was a winning product. Then, the world changed.
"9/11 hit," says David Blanco, a compact, confident-looking man with a soldier's haircut. The
Blancos were military men before they became cigar men: David enlisted with the U.S. Army Reserve
at age 18, following in the footsteps of his father, who has spent 29 years on both active and
reserve duty. With America at war, the Blancos were soon shipped overseas, and their military
commitments had to come before the cigar business. Cesar Blanco spent almost a year in Iraq as
commander of the 375th MP Detachment, and David spent two years in Afghanistan serving with the
10th Infantry Division. "My mother was in shambles," says David, 34.
The business fared worse. "When I came back, and my father came back, we were in the toilet," says
David. "And we said, 'Do we fold it, or do we go on?' My father has always been a very determined
man, and it's probably one of the reasons we're doing as good as we are."
Cesar Blanco, president of Los Blancos, emigrated to the United States from Cuba in 1961, when he
was 14. His father had served in the Cuban house of representatives under Fulgencio Batista, and
his mother was a lawyer. The Blancos settled in Chicago, following business opportunities. David,
the first member of his family born in the United States, grew up in Chicago, and he seems to have
a sense of adventure, having served the city as a police officer and a paramedic in the fire
department. His father also served with the Chicago Fire Department, as a deputy chief. "You can
say he is a chip off the old block," Cesar Blanco says of his son.
The Blancos have always had close ties with cigars, and father and son puffed away while serving in the field. Selling Los Blancos cigars has brought both of them closer to their roots. "This has brought me back to the family business," says David Blanco, who serves as the vice
president of business development for Los Blancos. "I hope this takes me to my golden ages."

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